By Martine Ehrenclou
Despite the 90 degree heat, I was excited to see two-time Grammy nominee, “Blues-rock Titan” Joe Bonamassa perform at the Greek Theater, Los Angeles, on August 1st. It had been a couple of years since I’d seen him live and this outdoor venue is one of my favorites.
Besides, I’d promised my husband that if he saw Joe Bonamassa live that he’d become a convert, a loyal fan. He, like a few others, was of the opinion that Joe was a masterful guitar player, a technician if you will, and a little short on soul.
But I knew better.
Seeing Joe B. live is the best introduction to this phenomenal guitarist, singer, songwriter, who at eight years old, opened for B.B. King. He is considered one of the world’s greatest guitarists and has 12 studio albums, 16 live albums and three collaboration albums to his name. He is a virtuoso guitarist and the members of his band are outstanding musicians themselves.
Joe appeared on stage at 8pm in a gray suit, Stratocaster in hand, to join his bandmates. Most of the audience rose to their feet, greeting him with a standing ovation before he even began.
That tells you something.
The crowd, not just older hippies who love the Blues, but guitar fanatics, musicians, tried and true Bonamassa fans and those who were brought along.
After opening with “King Bee Shakedown” and “Evil Mama” from his upcoming, Redemption album, Joe traded out the Strat for a Gibson Les Paul, his trademark guitar. The whole feeling of the set changed then as he and his superb band launched into a slower paced rocker, “Just ‘Cos You Can Don’t Mean You Should” also from Redemption. With exquisite guitar licks and killer tone, Joe sang this Blues, almost Southern rock tune, with heart. Reese Wynans on keys delighted the audience with his vamps and a solo, summoning the audience to their feet once again.
If an audience does in fact affect artists, this crowd’s energy and appreciation changed hands with Joe B. because after this tune, this man was on fire. Joe and the band slid into a monster groove and for 2 ¾ hours we were graced with one of the best performances I’ve ever seen. The band consists of Reese Wynans (keyboards) Anton Fig (drums) Michael Rhoads (bass) Lee Thornburg (trumpet) Paulie Cerra (sax) and two backing singers, Jade MacRae and Mahalia Barnes.
Setting the mood with a groaning guitar, Joe threw himself into “Self Inflicted Wounds,” his vocals full of heartache. It’s a mournful song, and Joe gave in to it. That was the first time I’d heard the real quality of his voice, the beauty of it. Whether I’d previously been focused on his dazzling guitar work, I’m not sure. This song showcased Joe as a soulful singer and blew a soft wind over the audience, now quiet, in reverence.
Albert King’s “Don’t You Lie to Me” came next, as Joe played a red Gibson 335 guitar. This tune had a more syncopated feel than the original and the band was in top form. Trumpet and sax players, Thornburg and Cerra, kicked off the melody and then handed things off to Joe who was now fully loosened up. Wynans blew us away with one kick a** piano solo, which drew whoops and hollers from the crowd.
One of the standouts from the evening “Breaking Up Somebody’s Home,” a funky, R&B rocker that rocked everyone–the audience and the band. Joe swayed back and forth and played off his bass player, Rhoads, and moved across the stage with great groove and feel. At one point during the song, I turned to view the 4,000-seat packed venue, and realized that not one seat was empty. Solos from Wynans on organ and Cerra on sax, wowed everyone. This tune featured the entire band’s talents, including Joe playing an absolutely stunning guitar solo that turned into a full on jam.
At this point, my husband turned to me and said, “I take back everything I’ve said about him. He is incredible, just incredible.”
Mission accomplished.
Thanks to Linda Moke (missmoke007 on YouTube ) for this video of “Breaking Up Somebody’s Home.” Be sure to wait for Joe’s guitar solo.
After this song ended, Joe took off his glasses and spoke to the audience to welcome us. He said, “I’m one of you. I know what it takes to drive seven miles and have it take three hours.” Everyone laughed, having just fought rush hour traffic in L.A. to get there. Unless you live here, you cannot imagine what it is like. But for some of us, we make the drive to see outstanding live shows. This one was definitely worth it.
Joe Bonamassa was funny, self-effacing with his humor and we loved him all the more for it.
After more crowd favorites like “Slow Train” and “Nobody Loves Me But My Mother,” a BB King cover, Joe and the band performed a couple of Led Zeppelin covers, the second being “How Many More Times” from his album, British Blues Explosion Live. A breathtaking version, once again Joe and the band wowed us with outstanding musicianship. But more than that, everyone on stage seemed to be having such a good time. The energy was infectious. Maybe the respect and love from the crowd allowed for more freedom from Joe and his band, but I knew then that we were witnessing a special show that night.
A searing ballad, “Slow Gin” closed out the show. This slow burn of a song showcased Joe’s voice from soulful and soft to clear with emotional punch. His solo on his Les Paul guitar was not only impressive but moving.
Was this a show planned down to the wire? Probably. Even down to choreography of band members interacting on certain songs? Maybe. Did I care? Not at all. Because Joe Bonamassa and the band delivered beyond my expectations. The musicianship on every single one of the 15 songs was superb, outstanding.
A phenomenal show.
Joe Bonamassa is currently on tour. For more information see here.
Martine, great review. I have seen Joe live four times. Each time I marvel at his guitar playing ability and how tight the band is on original and cover songs. They are normally really fun concerts.
John,
Thank you. Wow, four or five times. I hope to get there myself. I marvel too at how good they are. Fun and inspiring. Thanks for your comment.
Wow, Martine. What an extraordinary experience you describe. I’m enjoying the clip right now. Thank you!
Beth,
Thanks. Glad you’re enjoying it. Thanks for your comment.
Omg Martine! The line about 3 hours brought me back to living in Los Angeles for over 30 years and the price we paid for going to concerts! I so much don’t miss that! But I’m so jealous! JB @ the Greek. Doesn’t get any better! Thanks for the review. Hope to see JB soon here in Boise
Lol! Charlie – I’d forgotten that you lived here. So you really get it. Yes, you’re right, Joe B. at The Greek is pretty great. You’re welcome. I hope he comes to Boise too!
I discovered Joe in 2006 and have followed his progression.Sounds like he keeps getting better and better.
I am stoked as always about the new album and hope I can catch him on tour as well
Bout time your husband got on board lol!!!
Gary,
I think he is getting better and better, maybe in different ways too. I hope you get to catch him on tour too.
Lol!!! Bout time he did. And he did!
Really good review Martine thanks for sharing it with us I’m glad you got change your husband’s mind about Joe:) . I have seen Joe 12 times and he outdoes himself every time I can’t wait till he comes back to the NY area so I can see him again.
Tommy,
Thank you. I’m glad his mind was changed too!
You’ve seen Joe 12 times!!! Wow.
I bought this concert on DVD and was so hooked on JB that on March 8, 2019 I went to see him live in Chicago. He not only is a phenomenal guitar player, he is so gracious to his fans, humble and humerous. His band isn’t too shabby either. I ordered Reese Wynan’s CD Sweet Release (Thanks for mentioning that Joe!). Thanks for giving me many, many, many hours of enjoyment watching and listening to your music.
Love your review, exactly how I’ve felt each of the 5 times I’ve seen Joe. Master musician with some of the best supporting artists backing him. Last year in Dayton Joe was talking about playing the venue, The Fraze Pavilion, early in his career on $5 Fridays. The show just happen to be on a Friday, he commented, your saying Joe, these tickets weren’t $5, and he then said, pointing out all the other artists onstage as well as the stage set-up, all of this cost more than $5. He then played “Drive” using a guitar he has purchased earlier that day at a music shop he frequented earlier in his career. Loved it!!!
Gary
Thank you.
Agreed about his top musicians.
Wow,thanks for story about the $5.
Martine, I had pretty much given up on music in the early 80’s due to family and the general mediocrity of the popular genres of the times but in 2012 while flipping thru channels I ran across JB playing at the Beacon Theater on PBS….that was it…by the time the show was over I had bought my first concert tickets since the late 70’s….now I have seen Joe dozens of times as well as many other musicians due to being brought back into Blues music again….You and your husband have to go on one of Joe’s Keeping The Blues Alive at Sea cruises…they are amazing with the quality of the talent on board plus getting to see Joe multiple times….it is an experience that all true blues lovers need to attend…Joe never disappoints….Check out next years line-up for KTBA V…http://www.bluesaliveatsea.com/lineup/
Patrick,
What a wonderful story and tribute to Joe Bonamassa!
We actually looked into that cruise and they were booked but will check into it earlier next time thanks for the info and the link!
Go on the waiting list today if you are seriously wanting to go….next year there are 36% first timers booked…..all of these first timers started on the waiting list and in that way they move up the priority list for booking….
Patrick
Thank you. Will do.
Great review, Martine! I have yet to see JB live in concert, but it’s on my bucket list! I’m currently learning how to play his “Driving Towards The Daylight” (well, learning all the words, and the timing, actually…the chords and rhythm aren’t that difficult).
Tim,
Thank you.
I love that song! I’d love to learn how to play it too. Good for you.
I hope you get to see Joe B soon.
Thanks for your comment.
Martine
My wife and I saw him in Paso Robles on July 28. This was my 8th time seeing Joe and my wife’s 6th time. Even though the setlist was similar to when we saw him last October, we were still blown away. Joe and the band put on a great show every night. Joe plays the guitar the way I dream about playing it.
Glad you husband has been converted to be a bonaholic.
Jim,
Lol! Bonaholic. That’s a good one!
I can understand completely what you’re talking about— seeing him so many times and still being blown away. I’ve only seen him twice, hubby once, and we are seeing him again later this month!
And it’s the same for me-
I play guitar too and I could only dream of playing like Joe Bonamassa.
Thanks for your comment.
Brian,
Glad you’re back to playing guitar and going to concerts. Enjoy Joe Bonamassa. He’s fantastic live. Thanks for your comment.
Saw Joe in Houston 2 yrs ago with my oldest son, awesome concert.
Going to Denver in August to see him at Red Rock with my youngest son.
What an experience I had and will have with my sons.
Joe you are amazing, thanks!
Got to be near the front for Joe’s concert in Portland ME two nights ago, and it was nothing short of stunning. This was my 5th time seeing him, and I come away each time thinking ‘that was the best concert I’ve ever heard… you can’t top that’. And the next year I make it a point to see him again, and what does he do? Tops it. Every.Single.Time. He is the one artist I make it a point to see yearly, so you can imagine what I’m doing today. Looking at his tour dates for 2020.
I linked to your review because I googled ‘Is it okay to sing along at a Joe Bonamassa concert?’ (Or am I annoying everyone around me!?) And although I found no specific results, I did note your review. You nailed it, when you said you’d promised your husband he’d change his opinion when he saw him live. I was first introduced to him when a friend sent me a link to Bloodline’s “Since You’re Gone” some years back, and I’ve been hooked ever since. The first DVD/CD I bought was the Royal Albert Hall 2009 concert, and I now own 2 copies of both of those, and about 20 other CDs of his as well. I would know this because I just arranged them all chronologically last night when I added my ‘purchased at this latest concert’ Black Coffee CD to the collection..
If you go see him live, spend the extra money and get seated closer to the front. Nothing annoys me more than hearing people chatting through those epic solos Joe does on pretty much every song! Get near the front where the serious money paying fans are–they aren’t there to gab throughout the performance– and have the time of your life! Yes some say he is expensive, but I honestly don’t care if I don’t see anyone else for the rest of the year. I’d rather pay double or triple what I normally would, and not bother going to see anyone else, in exchange. He’s that worth it.
Sarah
Love what you wrote. Agree with everything you said. Thanks for your comment. Couldn’t have said it better myself.
Maybe someone’s already mentioned it, but as much as Joe was a brilliant child prodigy, he was actually 12 years old (not 8) when he opened for BB King–I know, not much of a difference, but still accuracy is important…