By Martine Ehrenclou
It’s 6pm on a Thursday, peak traffic time for Los Angeles. I have to drive east, which in itself, is total insanity at this time of day. But I’m desperate to get to a dance class, a slam-dunk for stress relief for a day from hell. My salvation? The Essential Stevie Ray Vaughan and Double Trouble, a double album with live cuts, released in 2002.
Slipping onto one of the busiest streets of L.A., I’m greeted by a line of cars jammed with red brake lights. I push my way in, much like a New York cab driver, and question my rationale for making the trek across town. What was I thinking?
Instead of turning back, I stay my course and insert the first of Stevie Ray Vaughan’s CDs, (old school, I know) into my car’s player and zip shut the windows to maximize peak volume. My car is my audio playground, my living room having given way to children long ago.
This SRV double album is my birthday present to myself, having only discovered him a year and a half ago. To blues-rock fans, it’s heresy to have lost my way music-wise into a foray of R&B and hip-hop, which for many years, obscured Strat masters like Stevie Ray Vaughan. A long story about why it happened and certainly for another time.
“Texas Flood” is the first to play. I’m suddenly immersed in SRV’s inexplicable guitar tone. The familiar bends and licks strike lightening and I’m reminded of the day only a year and a half ago ago when I discovered his recorded sessions with Albert King on YouTube. I became a fanatic back then, posting his videos on social media, one right after the other. Friends must have thought I’d gone crazy, posting like that, with sentences like, “Have you heard this? OMG.”
Hands gripping the steering wheel, “Texas Flood” takes over, wiping out earlier stress, kick starting my adrenalin. I flip on my fantasy life, something I use quite frequently to survive L.A. traffic. In my mind, I’m standing at an SRV concert, second row center, watching him play “Texas Flood,” and close enough to see his fingers trip the strings on the fret board of that famous SRV Strat. I know he had others, but allow me the visual.
The opening guitar solo blows me away, obscuring the fact that I’d travelled a quarter of a mile in 20 minutes, something that usually takes less than two. But Stevie’s playing is so masterful, so brilliant, that I don’t care where I am, even if I’m stalled in a chain link fence of cars.
“Mary Had a Little Lamb” now blasts through my car speakers and I’m full on into the music. He breaks into a solo and I am transported into the world of guitar tone and feel.
Rewinding to “Pride and Joy,” it takes me to the next stop light. I’m still at the concert I’ve never actually seen, watching Stevie play in my mind, surrounded by a crowd that goes wild. I can almost smell Miller Light from a couple of seats away.
Brought back to reality by a scuffle from honking drivers ahead of me, I’m insulated from the stress of it with Stevie Ray Vaughan. Lifted from my day, I feel gratitude for the music.
The song, “Lenny” begins. As many of you know, “Lenny” is pure magic, written by Stevie Ray for his wife, Lenora. The guitar instrumental, with jazz phrases and tremolo, graces the air space inside my car. One blast of the crisp but rich tone of the melody and I’m engulfed in sound. Stevie Ray hits the lower strings with bite, the higher notes with a symphony of harmonics. This is musical genius.
But maybe it’s more than genius. Maybe it’s the way Steve Ray felt the music, expressed himself through it. Maybe that’s what makes genius, I don’t know.
“The Sky is Crying” carries me through another mile. And then, “Couldn’t Stand the Weather” and “Tin Pan Alley” and “Voodoo Child (Slight Return.)” I near my destination, still in the maze of brake lights. I hear, “Little Wing,” a Hendrix cover, and my breath catches in my chest.
I wonder what it must have been like for those who actually saw SRV live. I have friends who did and they’re still talking about it with the enthusiasm of the morning after.
There’s no mistaking SRV’s playing for anyone else’s. No one can really channel him, although several guitarists come close. That tone, the speed, the soulful mastery of the guitar. Damn, if he wasn’t one of the greatest guitar players of all time.
I highly recommend you revisit The Essential Stevie Ray Vaughan and Double Trouble. If you’re anything like me, you’ll play it over and over until your neighbors are sick of you.
Here’s a couple of videos to get you started. I welcome your comments. Please post below. Thanks.
I literally still got goose bumps as he started singing Texas Flood. Yes, Double Trouble was the only CD that played in my car for a long time (a few friends commented on my lack of variety -Ha) but a couple minutes into the ride and passengers were new devotees.
Linda,
I hear ya about the goosebumps. Haha– of course your friends became devotees. Thanks for the comment.
I saw SRV 3 months before he died. 1990 Irvine meadows cost a Mesa ca. I’ll cried my ass off. One of the greatest performers l ever seen
I agree and love ur description…u should hear him with over the ear headphones,. I still even today..after years of hearing SRV..am amazed with his play.. masterful…
kudos martine. many of us never get tired of being reminded about this great talent. i was lucky enough to see stevie play three separate times and he was a magician as well as a musician. thanks, rockin’ billy
Rockin’ Billy,
Thank you. You sure were lucky! And three times no less. Thanks for your comment.
I rediscovered Stevie Ray Vaghan early one January morning of this year and I’ve been immersed in all aspects of ‘SRV.’ ever since I had declared, 2019 a year of change. He is so much more to me than the greatest guitar player that ever walked this earth. Simply , SRV is my therapy.
I got to see Stevie Ray Vaughn at Pine Knob with my good friend David Shier. The concert was wonderful. He is missed.
Lee,
How wonderful that you got to see him live. I’m sure that concert was incredible. Thanks for your comment.
I saw SRV 3 months before he died. 1990 Irvine meadows cost a Mesa ca. I’ll cried my ass off. One of the greatest performers l ever seen
Very well put. My teenage sons are devotees.
Gilbert,
Thank you. You passed his music on to your teenage sons, I bet. A gift they’ll never forget. Thank you for your comment.
I asked friends to go see The Moody Blues at The Forum in LA. Couldn’t find anyone so I bought a single in the lot. SRV opened. Stunning. Left Moody Blues mid set to buy SRV record. Saw him 20 plus times. Every tour in So Cal. With Greg Allman passing today, it’s over. Glad I saw them.
Tom,
That is an amazing story. I would have done the same. 20 times! You are so lucky! But I suppose we make our own luck.
As sad as it is losing Greg Allman today, it’s not over. There are so many who love this music. Have you checked out Eric Gales? Philip Sayce? Thanks for your comment.
hello martine. check out this video of stevie ray. he played a concert at the peoria civic center and he told bernard allison to try and book a club in the area that night. bernard booked it in peoria heights, il and stevie showed up with the whole band. here is when he first arrived and got up on stage. i didn’t actually get to play with him because he is using my gear but that’s me on the right when he showed up. there are two more of these videos on you tube. the line went down the street around the corner that night and some couldn’t get in because of the fire marshalls but those who did saw stevie ray vaughn play the night for a dollar. after this particular set his whole band got up and did the next set. i was in blues heaven as i sat and chatted with stevie backstage that night. super nice cat. https://www.youtube.com/watch?v=AESbRidbtRw
Rockin’ Billy,
Wow, great story. Thanks for sharing it with us. I can imagine you were in Blues heaven talking to Stevie backstage. Thanks for sharing that and the video! I’ll check it out. Hope everyone else does too. Thanks.
We lost a real Texas guitar slinger!!! Saw him coming up in Austin and Houston area…in mid 80’s What a great time!!!
Stevie Ray Vaughn was a gifted musician. He played with heart and soul. Saw him perform and he was fantastic. He put everything into his music. He was intense and awesome. But I can not call him a blues musician. I can call him rock or Texas rock. But just he did not experience the blues of which greatly influenced his sound. He was a great performer. But call him what he was. A great Texas rock legend.
Barb
SRV was a gifted musician. How lucky you are to have seen him live. I think I’d call him Texas blues-rock. He is credited with being one of the most influential guitarists in the revival of the blues in the 1980s. Guitar Player magazine voted him Best Electric Blues Guitar Player. The Blues Foundation named him Entertainer of the Year and Blues Instrumentalist of the Year in 1984 and was inducted into the Blues Hall of Fame in 2000. But to your point he and Double Trouble were inducted into the Rock and Roll Hall of Fame in 2015. Let’s just say he was one of the absolute best.
Saw him a few times…. Backstage 2x and YEAH… ALLLL those mid-80s tales are fact. LUCKY enough be backstage after they all cleaned up AND I NOW HAVE A SRV GUITAR PICK in my collection. A One of a Kind ROCKnSOULER
I only saw him play on concert tapes & I have a bunch of video as do we all, thank God. Stevie Ray was instrumental (ironic choice there) in saving my life & my sobriety. The brother was a Hoodoo King with bluesman in the blood. No mistaking that guitar! You’re 100% on that, his music is the melody of angels singing of the hope that is the force that binds the Universe. He & Albert King, he & Jimmie together – dude, that is the mystery that is the Blues. Spiritual music for a lost soul who found new life & a new perspective on the magic that is music. SRV RULES!